Best Canon Lenses Guide
This blog intends to cover topics like best Canon lenses, Canon lens comparison, Canon telephoto lens, Canon prime lens, Canon wide angle lens, best Canon prime lens among all the query you might have in relattion to Canon lenses.
We intend to provide one stop solution for all the information on the various lenses suitable for Canon camera. And in the process make you aware of the Best Canon Lenses in India. Hope you would like it. Also, please do not forget to comment upon any improvement you might have for us.
Sigma 150-600mm f/5-6.3 DG OS HSM
If money and muscle-power are no issue, then this canaon lens is our favourite super-telephoto zoom for Canon cameras, but it’s a big and heavy lens, weighing in at nearly 3kg, which makes prolonged handheld shooting a struggle. This ‘Contemporary’ version of the lens is much less expensive to buy, more compact, and almost a full kilogram lighter in weight. It stretches to a mighty 600mm on full-frame bodies, and delivers an incredible 960mm ‘effective’ focal length on Canon APS-C bodies, thanks to the 1.6x crop factor you get from the smaller sensor on these cameras
Canon EF-M 55-200mm f4.5-6.3 IS STM
If you've chosen an EOS M camera because it's small and light, you'll want lenses which are small and light too. This lightweight telephoto zoom is barely more than a third of the weight of Canon’s latest EF 70-300mm lens for DSLRs, and it’s very much slimmer and shorter. Naturally, it’s also shorter in maximum focal length, but still extends to an ‘effective’ 320mm in full-frame terms. The other prominent factor in downsizing is that the aperture rating shrinks to f/6.3 at long zoom settings, instead of the more usual f/5.6. Despite having a plastic rather than metal mounting plate, the construction feels solid throughout.
Sigma 30mm f/1.4 DC DN
for Sony E-mount and Micro Four Thirds cameras is now available for the Canon EOS M system, where it goes head-to-head with Canon’s own EF-M 32mm f/1.4, belowThe Sigma is as compact and lightweight as the Canon lens and has the same fast f/1.4 aperture rating – but only costs about half as much to buy! It’s a great performer and a proper bargain at the price. As usual with third-partly lenses, make sure you get the version designed to fit your camera.
Canon EF 85mm F1.8 USM
A bright, mid-telephoto prime lens is an excellent second lens for any photographer still working with a kit lens — and the Canon EF 85mm F1.8 USM is among the best, without heading too deep into the wallet. The 85mm is a classic portrait focal length that offers just enough telephoto compression for a flattering look,
Canon EF 70-300mm f/4-5.6 IS II USM
Canon makes a pro-grade L-series 70-300mm zoom, which comes complete with weather seals and an optional tripod mount ring to take the weight and steady up your shots, but this newer lens is practically as sharp, only about two-thirds of the weight and less than half as much to buy. Clever features include a revolutionary Nano USM autofocus system, which is incredibly fast for tracking moving objects when shooting stills, yet gives smooth focus transitions during movie capture.
Sigma 70-200mm f/2.8 DG OS HSM
A classic in both zoom range and aperture rating, the 70-200mm f/2.8 lens has long been the telephoto optic of choice for enthusiast and professional photographers. This newer Sigma ‘Sports’ competitor actually beats the Canon for sharpness through the zoom range, while offering a raft of more exotic features. These include autofocus-hold/on buttons around the mid-section of the lens, the ability to switch autofocus to either auto-priority or manual-priority mode (the latter making manual-override available even in AI Servo mode), and two switchable custom modes.
Canon EF 24-70mm F2.8L II USM
If you can only have one zoom in your bag, make it a 24-70mm F2.8. You’ll find such a lens in the hands of wedding photographers, sports shooters, photojournalists, studio portrait photographers, and just about anyone else. Canon’s second generation of the popular workhorse lens offers all the versatility of its predecessor while improving sharpness and autofocus performance. The lens uses an enhanced optical design that helps reduce chromatic aberration for better clarity, with additional coatings for flare, ghosting, and spherical aberrations.
Canon EF 70-200mm F2.8L IS III USM
It is is a favorite Canon Lens among professional photographers. Now in its third generation, this version uses new coatings for even better image quality. The long reach coupled with the bright aperture creates excellent background blur and compression, even for shots that don’t necessarily need such a long lens, like portraits. The optical image stabilization offers up to 3.5 stops of shake reduction, which is especially helpful when working at slower shutters in lower light, but also helps stabilize your view through the viewfinder to help you get perfect framing, something that’s not always easy to do with a telephoto.
Canon EF 85mm f/1.4L IS USM
When buying a portrait prime, you usually need to make a choice between image stabilization or a fast f/1.4 aperture. This Canon lens gives you the best of both worlds, with no compromise in features or image quality, along with top-notch build quality and a full set of weather-seals. It comes with a nine-blade diaphragm that enables an extremely well-rounded aperture (for attractive ‘bokeh’), and Canon’s advanced ASC (Air Sphere Coating) to minimize ghosting and flare. It’s quite big and chunky but still noticeably smaller and lighter than the competing Sigma 85mm f/1.4 Art lens.
Canon EF 50mm f/1.8 STM
Your first glass investment should be a 50mm f/1.8. I seriously shoot about 70% of all my photos with one. The 50mm focal length is great for general purpose photography, and image quality in such prime lenses is superb. The wide aperture also makes for amazing bokeh (blurry background).
Sigma 18-35mm f/1.8 DC for Canon
It provides "shockingly sharp images." The f/1.8 constant aperture means it lets in a lot of light at all focal lengths, so the lens is a great choice for shooting indoors and at night when there isn't as much light to work with. Need more convincing? We called it "...by a wide margin the best constant-aperture/wide-aperture ... zoom lens we've ever tested." Good for: Anyone looking for a massive upgrade in image quality, sharpness and distortion over their kit lens; Photographers who shoot mostly between 18mm and 35mm. Not as good for: Folks on a tight budget; Someone mainly interested in shooting wider than 18mm; Videographers who might want an option that allows stabilized video.
Canon EF-S 10-18MM f/4.5-5.6
IT is a fantastic choice and in affordable range. Buy it if you wish to shoot wider than 18mm. In our review, we called this lens 'small, lightweight, very affordable and ... quite the solid performer.' Canon's Image Stabilization (IS) technology helps correct for camera shake, which helps reduce blur in photos even with longer shutter speeds, and also lets you shoot smoother video with less of the jostling that you'd normally see from hand-held video. And thanks to the Stepping Motor (STM) technology in the lens, focusing is smooth and quiet -- important for videography. The lens's one weakness is that it doesn't let in as much light as other options (the higher the f/ value, the less light a lens lets in), meaning it might not be the best lens in low-light situations. Good for: Video shooters (image stabilization and silent focusing); Folks looking for light weight, affordability and good image quality; New photographers who feel constrained by the 18mm limit of their kit lens. Not as good for: Folks who are primarily shooting indoors or at night (where there's not as much light).
CANON EFS 24MM F/2.8 STM Prime Lens for CANON APS-C Size Body
As we mentioned earlier, prime lenses are the best value around. Canon's EF-S 24mm f/2.8 STM enjoys an additional benefit: It features a 'pancake' type design. This means its profile is far smaller than other lenses: Only an inch long in the case of this lens! That makes it a fantastic choice for travelers looking to save weight and space. The f/2.8 aperture lets in a good amount of light, so it's also suitable for night and indoor shooting. Image quality is also quite good
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